MARK BERRY: AFTER WAGNER
Histories of Modernist Music Drama from Parsifal to Nono
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Then come three composers from subsequent generations: Luigi Dallapiccola, Luigi Nono, and Hans Werner Henze. Geographical context is extended to take in Wagner’s Italian successors; the problem of political emancipation in and through music drama takes another turn here, confronting challenges and opportunities in more avowedly ‘politically engaged’ art. A final section explores the world of staging opera, of so-called Regietheater, as initiated by Wagner himself. Stefan Herheim’s celebrated Bayreuth production of Parsifal, and various performances of Lohengrin are discussed, before looking back to Mozart (Don Giovanni) and forward to Alban Berg’s Lulu and Nono’s Al gran sole carico d’amore. Throughout, the book invites us to consider how we might perceive the æsthetic and political integrity of the operatic work ‘after Wagner’.
After Wagner will be invaluable to anyone interested in twentieth-century music drama and its intersection with politics and cultural history. It will also appeal to those interested in Richard Wagner’s cultural impact on succeeding generations of composers.
MARK BERRY is Lecturer in Music at Royal Holloway, University of London.