11 November 2019
The November 2019 issue (vol.13, no.3) of The Wagner Journal has been published and contains the following feature articles:
• ‘Knappertsbusch in Bayreuth’ by Hans Rudolf Vaget
• ‘In Wagner’s Eyes: Casting Light on a Disputed Portrait‘ by Michael Trimble, Dale C. Hesdorffer, Robert Letellier and Gordon Plant
•’Ernest Newman in ‘’Naziland‘’: In Search of Otto Strobel‘ by David Cormack
• ‘Report on the Production of Tannhäuser in Paris’ by Richard Wagner (translated by Niall Hoskin)
plus reviews of: Tannhäuser at the Bayreuth Festival, Das Rheingold at Longborough and Grimeborn, Die Meistersinger by Fulham Opera, Die Walküre in Kassel, Götterdämmerung in Würzburg and Lohengrin in Nuremberg; the Bernstein Tristan und Isolde (Munich, 1981) on DVD; CDs of the Hallé Siegfried and of Lise Davidsen in Wagner and Strauss
16 October 2019
150 years after the Munich premiere of Das Rheingold, a newly formed company, Tarnhelm Opera is bringing a unique production of the work to cathedrals and large churches in the West of England and South Wales. The performances are staged, in costume and sung in German with English surtitles.
The performances make full use of the substantial organ in each of the venues, supplemented by percussion, giving a remarkably faithful and impressive account of Wagner’s score in magnificent and lofty surroundings.
The production opens Thursday 17th October 2019 in Bath and then moves on to Gloucester, Worcester, Bristol and Cardiff.
17 Oct 2019 St Mary’s Church, Bathwick
19 Oct 2019 Gloucester Cathedral
25 October Worcester Cathedral
2 November St Mary Redcliffe, Bristol
16 November Llandaff Cathedral
05 July 2019
The July 2019 issue (vol.13, no.2) of The Wagner Journal has been published and contains the following feature articles:
• Es klang so alt, und war doch so neu. Wagner's Greatest Myth: Musical Historicism in Die Meistersinger von Nürnberg
• In ein fernes Land: The Politics of Translation in Wagner‘s Arrangement of Gluck‘s Iphigénie en Aulide
• Das, was eigentlich Musik: Richard Wagner's reception of Beethoven‘s Piano Sonata No, 28, Op. 101 by Roger Allen
plus reviews of: Tannhäuser in Dresden and Amsterdam, Holländer in Dresden, Die Meistersinger, Rienzi and Parsifal in Berlin; a study of Alexander Ritter by Michael Hofmeister, The Trouble with Wagner by Michael P. Steinberg and Staging Verdi and Wagner, ed. Naomi Matsumoto
Order your copy here!
Order your copy here!
22 March 2019
Stefan Herheim. Photo: Per-Erik Skramstad
Deutsche Oper Berlin has announced that Stefan Herheim will stage a new Ring starting in 2020 with Donald Runnicles conducting. The cast will include Derek Welton as Wotan and Markus Brück as Alberich. Other cast members include Annika Schlicht, Flurina Stucki, Judit Kutasi, Thomas Blondelle, and Tobias Kehrer as Fricka, Freia, Erda, Loge, and Fafner, respectively. Padraic Rowan and Robert Watson are Donner and Froh while Andrew Harris is Fasolt. As the Rheinmaidens are Meechot Marrero, Irene Roberts, and Anna Buslidze. Performance Dates: June 20-27, 2020.
The whole Ring will be performed in June 2021, according to the plans.
04 March 2019
The March 2019 issue (vol.13, no.1) of The Wagner Journal has been published and contains the following feature articles:
- ‘ ‘’Accompanied by Solemn Songs‘‘: Wagner’s Ring as it might have been‘ by Arnold Whittall
- ‘Redeeming Senta‘ by Edward A. Bortnichak and Paula M. Bortnichak
- ‘Ludwig Revisited‘ by Joseph Horowitz
- ‘Being Isolde: the Theory and Practice of Anna Bahr-Mildenburg‘ by Karin Martensen
- ‘Legend and Reality in Wagner‘s Creativity‘ by Ulrich Drüner
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08 November 2018
|Front cover illustration: The 20-year-old Alma Schindler-Mahler, photograph, 1900|
The November 2018 issue (vol.12, no.3) of The Wagner Journal presents papers from the ‘Wagner 1900‘ conference held in April 2018 at Jesus College, Oxford, and contains the following feature articles:
- ‘Manifestations of the Gesamtkunstwerk in Fin-de-Siècle Vienna‘ by Barry Millington
- ‘ ‘‘Lonely Walk‘‘: an Unpublished Song by Alma Schindler-Mahler‘ by Deborah Calland and Barry Millington
- ‘Wagner’s Tristan und Isolde, Arranged Mahler, Roller: The Will Made Visible‘ by Diane V. Silverthorne
- ‘How a Women’s Network Kept Wagner’s Tradition Alive‘ by Eva Rieger
- ‘Warning: Consuming Wagner Can be Hazardous to your Health: Tristan und Isolde and Death in Venice‘ by Nicholas Vazsonyi
- ‘Guy and Doll, Isolde ohne Tristan and a Silent Soprano: Report on the ‘‘Wagner 1900‘‘ Conference‘ by Tash Siddiqui
Published for the first time with this issue, as a special six-page supplement, is Alma Schindler-Mahler’s song Einsamer Gang
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08 October 2018
Musical genius Richard Wagner (Eddie Korbich) and his devoted wife Cosima (Claire Brownell) find themselves in a moral, political and musical dilemma when King Ludwig of Bavaria (Carlo Bosticco) insists that the son of a rabbi, Hermann Levi (Geoffrey Cantor), conduct the premiere of Wagner’s sacred final opera, Parsifal. In this comedic spin on real-life events, Maestro Levi must consider his complex relationship with the Wagners. Does Art have its “special needs,” after all? MY PARSIFAL CONDUCTOR is the World Premiere comedy that dares to probe that question.
Written by multiple EMMY Award-Winner Allan Leicht, MY PARSIFAL CONDUCTOR is directed by the founder of the New York’s Chelsea Theatre Center, Robert Kalfin and produced by the award-winning not-for-profit theatre company The Directors Company, by special arrangement with producer Ted Snowdon.
Marjorie S. Deane Little Theater at the West Side YMCA
10 W 64th Street
New York, NY 10023
Tuesday – Thursday at 7:30pm
Friday at 8pm
Saturday at 2pm & 8pm
Sunday at 3pm
Limited Engagement through Saturday, November 3rd, 2018
ORDER NOW AND SAVE 50% OFF
$32 (Performances Sept 25 - Oct 10)
Use Code: PMPCMKT
$47 (Performances Oct 12 - Nov 3)
Use Code: MPCMKT
Or call 866-811-4111 and mention codePMPCMKT or MPCMKT
Or bring a printout of this email to the Marjorie S. Deane Little Theater at the West Side YMCA • 10 W. 64th St.
Box office hours: One hour before curtain
Regular price is $67.00. Price includes a $2.00 facility fee. All sales are final - no refunds or exchanges. Offer subject to availability. Other restrictions may apply. Dates, times, prices and cast subject to change without notice. Not valid in combination with any other offers. Normal service charges apply to phone/internet orders. Performance schedule subject to change. Offer may be revoked/modified at any time without notice. Limit 8 tickets per order.
My Parsifal Conductor - HOMEPAGE
27 July 2018
• ‘Kierkegaard, Wagner and the Quest for Operatic Immediacy‘ by Leo Cabranes-Grant
• ‘Setting the Record Straight: Wendelin Weißheimer and the Wagners‘ by Katherine Syer
• ‘Wagner and Proust‘ by Jeffrey Swann
•‘From Death in Venice to The Magic Mountain: Thomas Mann‘s Ironic Response to Wagner‘ by William Kinderman
plus reviews of:
Dmitri Tcherniakov‘s Tristan und Isolde in Berlin and Pierre Audi‘s in Amsterdam; Alvis Hermanis‘ Parsifal in Vienna
CDs of the Ring cycle under Karajan
Books on the Hitler–Wagner nexus by Wolfram Pyta and Hans Rudolf Vaget
More on Thewagnerjournal.co.uk
26 July 2018
|Photo: Enrico Nawrath / Bayreuther Festspiele|
Yuval Sharon's Lohengrin on 3SAT Saturday 28 July 2018 at 20:15: If you have access to the German TV channel 3SAT, you can watch the new Lohengrin production by director Yuval Sharon
Bayreuther Festspiele 2018: Lohengrin
Elsa Anja Harteros
Lohengrin Piotr Beczala
König Heinrich Georg Zeppenfeld
Telramund Tomasz Konieczny
Ortrud Waltraud Meier
10 March 2018
- ‘Kindred Spirits of Meiningen and Bayreuth‘ by Edward A. Bortnichak and Paula M. Bortnichak
- ‘Turning the Telescope Round‘ [article about Ernest Newman] by David Cormack
- ‘Wagner and the Boryspil Pogrom: A Reply to Barry Emslie‘ by Derek Hughes
- “Music Made Visible“: Sergei Eisenstein's Die Walküre and the Birth of Vertical Montage‘ by Hilan Warshaw
- ‘Deluded Neurotic or Visionary Woman of the Future?: Senta Revalued‘ by Kate Hopkins
- Achim Freyer‘s Parsifal in Hamburg and Tobias Kratzer‘s Götterdämmerung in Karlsruhe
- DVD of Christian Thielemann‘s homage to Herbert von Karajan's 1967 Salzburg Ring
- CDs of the Naxos Siegfried under Jaap van Zweden, Mark Elder‘s Parsifal with the Hallé, and Wagner concert overtures under Jun Märkl
04 November 2017
The November 2017 Wagner Journal (vol.11, no.3) is out. It contains the following feature articles:
- 'Mahler's Parsifal' by Anna Stoll Knecht
- 'The Volk That Wagner Loved to Hate: A Reply to Derek Hughes' by Barry Emslie
- 'Mariano Fortuny and His Wagnerian Designs' by Wendy Ligon Smith
- Barrie Kosky's Die Meistersinger and Uwe Eric Laufenberg's Parsifal at Bayreuth, Dietrich W. Hilsdorf's Rheingold and Thorleifur Örn Arnarsson's Siegfried in Karlsruhe, Romeo Castellucci's Tannhäuser in Munich, August Everding's Der fliegende Holländer at the Met and Christian Spuck's Holländer in Berlin.
- DVD of 'The Becoming of the Mannheim Ring'
- CDs of Hans Knappertsbusch's pioneering 1950–51 Meistersinger with Paul Schöffler as Hans Sachs, Mark Elder's new Lohengrin with Klaus Florian Vogt in the title role, compilations of Ticho Parly and Johan Botha, the Symphonies in C and E major under Jun Märkl, Declarations of Love (piano works and songs by Wagner for Mathilde Wesendonck and Cosima Wagner) and piano music by Liszt and Wagner played by Imogen Cooper.
- The Richard Wagner Sämtliche Werke (31 vols) and Christopher Fifield's new edition of Hans Richter
More here: The Wagner Journal
05 July 2017
- 'Parsifal as Castration Drama' by Ivan Ward
- 'Wagner, Freud and Nietzsche in Berlin' by Tom DeRose
- 'Wagner's Parsifal: a Hymn of Purity' by Stephen Gee
- 'Kundry's Kiss and the Fear of Female Desire: a Gender Perspective' by Eva Rieger
- 'Interpreting Wagner's Dreams: Staging Parsifal in the Twenty-first Century' by Mark Berry
- 'Syberberg's Parsifal and the Soul of Germany' by Patrick Carnegy