The March 2014 issue of The Wagner Journal (vol.8, no.1) is out. Here is a brief description of the contents:
Feature articles:
Plus reviews of:
Feature articles:
- 'Transformation at Tribschen: How a French Literary Trio Became a Wagnerian Musical Trio' by Heath Lees, describing the visits of Judith Gautier and friends to the Wagners in 1869/70
- 'Tracking Träume: The Sources and Sounds of Wagner's Wesendonck Lied' by Peter Bloom on the interlocking of the Wesendonck Lieder and Tristan und Isolde
- 'Wagner Tenors and the Quest for the "Ideal" ' by David Breckbill
- 'Strange and Forbidden Fruits: A report on the conference at Leeds University' by Tash Siddiqui
Plus reviews of:
- Parsifal at Covent Garden and the Lyric Opera, Chicago, the Ring in Melbourne and a gruelling Wagnerian extravaganza in Lille
- the Ring recorded under Franz Konwitschny at Covent Garden in 1959 and at the Metropolitan, New York, under Erich Leinsdorf in 1961–2
- The Rienzi directed by Jorge Lavelli in Toulouse
- Wagner's Der fliegende Holländer and Dietsch's Le Vaisseau fantôme conducted by Marc Minkowski; Gergiev's Das Rheingold with René Pape as Wotan; CDs of Wagnerian piano arrangements
- new books on Wagner by Martin Geck, Paul Dawson-Bowling and Raymond Furness, and a compilation of Walter Widdop material edited by Michael Letchford
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