The Wagner Journal, July 2020 Issue

The July 2020 issue (vol.14, no.2) of The Wagner Journal has been published and contains the following feature articles:

‘The Use of Eastern Concepts in Wagner’s Stage Works‘ by Peter Bassett
‘Wagner and the Ottomans‘ by Emre Aracı
’Gender, Japan and the Takarazuka Revue‘s 1968 Tristan und Isolde’ by Brooke McCorkle Okazaki

plus reviews of: Tristan und Isolde in Frankfurt, Die Meistersinger in Dresden, Parsifal in Strasbourg, Die Walküre in Singapore and Siegfried in London; the ROH Walküre under Pappano on DVD; a Tristan with Stuart Skelton and Gun-Brit Barkmin, a Holländer with Franz Crass under Sawallisch (Bayreuth, 1960) and a Walküre under Rattle on CD; Alexander Shapiro‘s The Consolations of History, Diane V. Silverthorne‘s Music, Art and Performance from Liszt to Riot Grrrl and Markus Kiesel et al‘s Wandrer heißt mich die Welt: Auf Wagners Spuren durch Europa

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The Wagner Journal: November 2019 Issue

The November 2019 issue (vol.13, no.3) of The Wagner Journal has been published and contains the following feature articles: • ‘Knappertsbusch in Bayreuth’ by Hans Rudolf Vaget • ‘In Wagner’s Eyes: Casting Light on a Disputed Portrait‘ by Michael Trimble, Dale C. Hesdorffer, Robert Letellier and Gordon Plant •’Ernest Newman in ‘’Naziland‘’: In Search of Otto Strobel‘ by David Cormack • ‘Report on the Production of Tannhäuser in Paris’ by Richard Wagner (translated by Niall Hoskin) plus reviews of: Tannhäuser at the Bayreuth Festival, Das Rheingold at Longborough and Grimeborn, Die Meistersinger by Fulham Opera, Die Walküre in Kassel, Götterdämmerung in Würzburg and Lohengrin in Nuremberg; the Bernstein Tristan und Isolde (Munich, 1981) on DVD; CDs of the Hallé Siegfried and of Lise Davidsen in Wagner and Strauss www.t...

The Wagner Journal - November 2018 issue

Front cover illustration: The 20-year-old Alma Schindler-Mahler, photograph, 1900 The November 2018 issue (vol.12, no.3) of The Wagner Journal presents papers from the ‘Wagner 1900‘ conference held in April 2018 at Jesus College, Oxford, and contains the following feature articles: ‘Manifestations of the Gesamtkunstwerk in Fin-de-Siècle Vienna‘ by Barry Millington ‘ ‘‘Lonely Walk‘‘: an Unpublished Song by Alma Schindler-Mahler‘ by Deborah Calland and Barry Millington ‘Wagner’s Tristan und Isolde , Arranged Mahler, Roller: The Will Made Visible‘ by Diane V. Silverthorne ‘How a Women’s Network Kept Wagner’s Tradition Alive‘ by Eva Rieger ‘Warning: Consuming Wagner Can be Hazardous to your Health: Tristan und Isolde and Death in Venice ‘ by Nicholas Vazsonyi ‘G uy and Doll, Isolde ohne Tristan and a Silent Soprano: Report on the ‘‘Wagner 1900‘‘ Conference‘ by Tash Siddiqui plus...

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