Wagner Opera

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The November 2019 issue (vol.13, no.3) of The Wagner Journal has been published and contains the following feature articles:



• ‘Knappertsbusch in Bayreuth’ by Hans Rudolf Vaget

• ‘In Wagner’s Eyes: Casting Light on a Disputed Portrait‘ by Michael Trimble, Dale C. Hesdorffer, Robert Letellier and Gordon Plant

•’Ernest Newman in ‘’Naziland‘’: In Search of Otto Strobel‘ by David Cormack

• ‘Report on the Production of Tannhäuser in Paris’ by Richard Wagner (translated by Niall Hoskin)


plus reviews of: Tannhäuser at the Bayreuth Festival, Das Rheingold at Longborough and Grimeborn, Die Meistersinger by Fulham Opera, Die Walküre in Kassel, Götterdämmerung in Würzburg and Lohengrin in Nuremberg; the Bernstein Tristan und Isolde (Munich, 1981) on DVD; CDs of the Hallé Siegfried and of Lise Davidsen in Wagner and Strauss



www.thewagnerjournal.co.uk

150 years after the Munich premiere of Das Rheingold, a newly formed company, Tarnhelm Opera is bringing a unique production of the work to cathedrals and large churches in the West of England and South Wales. The performances are staged, in costume and sung in German with English surtitles.

The performances make full use of the substantial organ in each of the venues, supplemented by percussion, giving a remarkably faithful and impressive account of Wagner’s score in magnificent and lofty surroundings.



The production opens Thursday 17th October 2019 in Bath and then moves on to Gloucester, Worcester, Bristol and Cardiff.

Performances
17 Oct 2019 St Mary’s Church, Bathwick
19 Oct 2019 Gloucester Cathedral
25 October Worcester Cathedral
2 November St Mary Redcliffe, Bristol
16 November Llandaff Cathedral



Tarnhelmopera.co.uk

The July 2019 issue (vol.13, no.2) of The Wagner Journal has been published and contains the following feature articles:

• Es klang so alt, und war doch so neu. Wagner's Greatest Myth: Musical Historicism in Die Meistersinger von Nürnberg • In ein fernes Land: The Politics of Translation in Wagner‘s Arrangement of Gluck‘s Iphigénie en Aulide • Das, was eigentlich Musik: Richard Wagner's reception of Beethoven‘s Piano Sonata No, 28, Op. 101 by Roger Allen
plus reviews of: Tannhäuser in Dresden and Amsterdam, Holländer in Dresden, Die Meistersinger, Rienzi and Parsifal in Berlin; a study of Alexander Ritter by Michael Hofmeister, The Trouble with Wagner by Michael P. Steinberg and Staging Verdi and Wagner, ed. Naomi Matsumoto

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Stefan Herheim. Photo: Per-Erik Skramstad
Deutsche Oper Berlin has announced that Stefan Herheim will stage a new Ring starting in 2020 with Donald Runnicles conducting. The cast will include Derek Welton as Wotan and Markus Brück as Alberich. Other cast members include Annika Schlicht, Flurina Stucki, Judit Kutasi, Thomas Blondelle, and Tobias Kehrer as Fricka, Freia, Erda, Loge, and Fafner, respectively. Padraic Rowan and Robert Watson are Donner and Froh while Andrew Harris is Fasolt. As the Rheinmaidens are Meechot Marrero, Irene Roberts, and Anna Buslidze. Performance Dates: June 20-27, 2020.

The whole Ring will be performed in June 2021, according to the plans.

The March 2019 issue (vol.13, no.1) of The Wagner Journal has been published and contains the following feature articles:
‘ ‘’Accompanied by Solemn Songs‘‘: Wagner’s Ring as it might have been‘ by Arnold Whittall‘Redeeming Senta‘ by Edward A. Bortnichak and Paula M. Bortnichak‘Ludwig Revisited‘ by Joseph Horowitz‘Being Isolde: the Theory and Practice of Anna Bahr-Mildenburg‘ by Karin Martensen‘Legend and Reality in Wagner‘s Creativity‘ by Ulrich Drüner plus reviews of: the Ring at Covent Garden and various venues in Germany, plus Die Meistersinger in Wiesbaden and Mannheim; Barrie Kosky‘s Bayreuth Meistersinger on DVD; Jaap van Zweden‘s Naxos Götterdämmerung on CD; a new translation of the Ring by John Deathridge, Oswald Bauer’s monumental history of the Bayreuth Festival and reviews of publications by Jens Malte Fischer, Dieter Borchmeyer and Udo Bermbach.

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